Auster's Booker Prize-shortlisted epic from the author of contemporary classic The New York Trilogy: 'a literary voice for the ages' (Guardian)
'A masterpiece.' Daily Mail
'Absorbing and immersive . . . the author's greatest novel.' FT
SHORTLISTED FOR THE MAN BOOKER PRIZE 2017
On March 3rd, 1947, Archibald Isaac Ferguson, the only child of Rose and Stanley Ferguson, is born. From that single beginning, Ferguson's life will take four simultaneous but entirely different paths. Family fortunes diverge. Loves and friendships and passions contrast. Each version of Ferguson's story rushes across the fractured terrain of mid-twentieth century America, in this sweeping story of birthright and possibility, of love and the fullness of life itself.
'Remarkable . . . A novel that contains multitudes.' New York Times
'A vast portrait of the turbulent mid-20th century . . . wonderfully, vividly conveyed.' New Statesman
A contemporary novel which tells the story of Marco Stanley Fogg - orphan, child of the 1960s - spanning three generations. The narrative moves from the early years of this century to the first lunar landings, from Manhattan to the landscape of the American West.
A tender masterpiece of love, memory and loss from one of the world''s great writers.
The life of Sy Baumgartner - noted author, and soon-to-be retired philosophy professor - has been defined by his deep, abiding love for his wife, Anna. Now Anna is gone, and Baumgartner is embarking on his seventies whilst trying to live with her absence. But Anna''s voice is everywhere still, in every spiral of memory and reminiscence, in each recalled episode of the passionate forty years they shared.
Rich with compassion, wit and an eye for beauty in the smallest, most transient episodes of ordinary life, Baumgartner is one of Auster''s most luminous works - a tender late masterpiece of the ache of memory.
The story of Walt, an irrepressible orphan from the Mid-West. Under the tutelage of the mesmerising Master Yehudi, Walt is taken back to the mysterious house on the plains to prepare not only for the ability to fly, but also for the stardom that will accompany it.
Auster's unforgettable coming-of-age tale from the author of contemporary classic The New York Trilogy: 'a literary voice for the ages' (Guardian)
Sinuously constructed in four interlocking parts, Invisible opens in New York City in the spring of 1967 when twenty-year-old Adam Walker, an aspiring poet and student at Columbia University meets the enigmatic Frenchman Rudolf Born, and his silent and seductive girlfriend Margot. Before long, Walker finds himself caught in a perverse triangle that leads to a sudden, shocking act of violence that will alter the course of his life.
Three different narrators tell the story, as it travels in time from 1967 to 2007 and moves from New York to Paris and to a remote Caribbean island in a story of unbridled sexual hunger and a relentless quest for justice.
With uncompromising insight, Auster takes us to the shadowy borderland between truth and memory, authorship and identity to produce a work of unforgettable power that confirms his reputation as one of America's most spectacularly inventive writers.
Includes three cleverly interconnected novels, that contains stories in which the search for clues leads to remarkable coincidences in the universe as the simple act of trailing a man ultimately becomes a startling investigation of what it means to be human.
The New York Trilogy is an astonishing and original book: three cleverly interconnected novels that exploit the elements of standard detective fiction and achieve a new genre that is all the more gripping for its starkness. In each story the search for clues leads to remarkable coincidences in the universe as the simple act of trailing a man ultimately becomes a startling investigation of what it means to be human. Auster's book is modern fiction at its finest: bold, arresting and unputdownable
Auster's tale of family dynamics past and present from the author of contemporary classic The New York Trilogy: 'a literary voice for the ages' (Guardian) 'I was looking for a quiet place to die. Someone recommended Brooklyn, and so the next morning I travelled down there from Westchester to scope out the terrain . .
Several months into his recovery from a near-fatal illness, novelist Sidney Orr enters a Brooklyn stationery shop and buys a blue notebook. It is September 18th, 1982, and for the next nine days Orr will live under the spell of this blank book, within a world of eerie premonitions.
Following the death of his father, Jim Nashe takes to the open road. But there he picks up Pozzi, a hitchhiking gambler, and is drawn into a dangerous game of high-stakes poker with two eccentric and reclusive millionaires.
Willy G Christmas, and Mr Bones embark on an adventure together, heading to Baltimore in search of Willy's beloved mentor Bea Swanson - who used to know him as William Gurevitch, son of Polish war refugees. But is she still alive?
In this novel Paul Auster offers a haunting picture of a devastated world - a futuristic world - but one which may be seen to shadow our own. Auster's other work includes "The New York Trilogy" and "Hand to Mouth", and the screenplays "Smoke" and "Blue in the Face".
American writer Stephen Crane died in 1900 at the age of 28. In his short, intense life, this burning boy wrote a masterpiece, The Red Badge of Courage , as well as other novels, short stories, and dispatches from the front of two wars. His adventurous life took him to the Wild West, Mexico, then to Cuba during the Spanish American War - dodging bullets which killed those around him, and suffering shipwreck on his way home. Fleeing America because of a scandalous love affair, his last 18 months were spent in Britain where he became a close friends of H.G. Wells, Henry James and, especially, Joseph Conrad. Auster ''s intention is to restore Crane to the pantheon of Modernist 20th century authors such as Conrad. Through Auster''s skill as a novelist, Crane leaps off the page, and into the reader''s heart.
One man's obsession with the mysterious life of a silent film star takes him on a journey into a shadow-world of lies, illusions, and unexpected love. After losing his wife and young sons in a plane crash, Vermont professor David Zimmer spends his waking hours mired in grief. Then, watching television one night, he stumbles upon a lost film by silent comedian Hector Mann, and remembers how to laugh . . .
Mann was a comic genius, in trademark white suit and fluttering black moustache. But one morning in 1929 he walked out of his house and was never heard from again. Zimmer's obsession with Mann drives him to publish a study of his work; whereupon he receives a letter postmarked New Mexico, supposedly written by Mann's wife, and inviting him to visit the great Mann himself. Can Hector Mann be alive? Zimmer cannot decide - until a strange woman appears on his doorstep and makes the decision for him, changing his life forever.
Written with breath-taking urgency and precision, this stunning novel plunges the reader into a universe in which the comic and the tragic, the real and the imagined, the violent and the tender dissolve into one another
In the expert hands of David Mazzuchelli (Batman), Paul Karasik (Raw) and Art Spiegelman (Maus), Auster's spin on the detective story has been given a unique and unexpected new life.
Chosen by Paul Auster out of 4000 stories submitted to his radio programme on National Public Radio, these 180 stories provide an illuminating portrait of America in the 20th century. The selection requirement of the stories was that they should be true and not previously published.
This is the next instalment in 'The Complete Works of Paul Auster', following 'Collected Prose and Novels', volume one. Volume two comprises the three middle period novels: 'The Music of Chance', which was later made into a film, 'Leviathan and Mr Vertigo'.
On January 3, 2011, exactly one month before his sixty-fourth birthday, the author sat down and wrote the first entry of "Winter Journal", his unorthodox, beautifully wrought examination of his own life, as seen through the history of his body.
One of the most original and audacious autobiographies ever written by a writer, Hand to Mouth tells the story of the young Paul Auster's struggle to stay afloat. By turns poignant and comic, Auster's memoir is essentially a book about money - and what it means not to have it. From one odd job to the next, from one failed scheme to another, Auster investigates his own stubborn compulsion to make art and, in the process, treats us to a series of remarkable adventures and unforgettable encounters. The book ends with three of the longest footnotes in literary history: a card game, a baseball thriller, and three short plays.
An old man sits in a room, with a single door and window, a bed, a desk and a chair. Each day he awakes with no memory, unsure of whether or not he is locked into the room. Attached to the few objects around him are one-word, hand-written labels, and on the desk is a series of vaguely familiar black-and-white photographs and four piles of paper.
