A New York Times Bestseller In this spellbinding exploration of the varieties of love, the author of the worldwide bestseller Call Me by Your Name revisits its complex and beguiling characters decades after their first meeting. No novel in recent memory has spoken more movingly to contemporary readers about the nature of love than Andre Aciman's haunting Call Me by Your Name . First published in 2007, it was hailed as 'a love letter, an invocation . . . an exceptionally beautiful book' (Stacey D'Erasmo, The New York Times Book Review ). Nearly three quarters of a million copies have been sold, and the book became a much-loved, Academy Award-winning film starring Timothee Chalamet as the young Elio and Armie Hammer as Oliver, the graduate student with whom he falls in love. In Find Me , Aciman shows us Elio's father, Samuel, on a trip from Florence to Rome to visit Elio, who has become a gifted classical pianist. A chance encounter on the train with a beautiful young woman upends Sami's plans and changes his life forever. Elio soon moves to Paris, where he, too, has a consequential affair, while Oliver, now a New England college professor with a family, suddenly finds himself contemplating a return trip across the Atlantic. Aciman is a master of sensibility, of the intimate details and the emotional nuances that are the substance of passion. Find Me brings us back inside the magic circle of one of our greatest contemporary romances to ask if, in fact, true love ever dies.
Marilynne Robinson, winner of the Pulitzer Prize and the National Humanities Medal, returns to the world of Gilead with Jack, the latest novel in one of the great works of contemporary American fiction Jack tells the story of John Ames Boughton, the beloved, erratic, and grieved-over prodigal son of a Presbyterian minister in Gilead, Iowa. In segregated St. Louis sometime after World War II, Jack falls in love with Della Miles, an African American high school teacher who is also the daughter of a preacher-discerning, generous, and independent. Their fraught, beautiful romance is one of Robinson's greatest achievements. The Gilead novels are about the dilemmas and promise of American history-about the ongoing legacy of the Civil War and the enduring impact of both racial inequality and deep-rooted religious belief. They touch the deepest chords in our national character and resonate with our deepest feelings.
It''s December 23, 1971, and the Hildebrandt family is at a crossroads. The patriarch, Russ, the associate pastor of a suburban Chicago church, is poised to break free of a marriage he finds joyless-unless his brilliant and unstable wife, Marion, breaks free of it first. Their eldest child, Clem, is coming home from college afire with moral absolutism, having taken an action that will shatter his father. Clem''s sister, Becky, long the social queen of her high school class, has veered into the era''s counterculture, while their younger brother Perry, fed up with selling pot to support his drug habit, has firmly resolved to be a better person. Each of the Hildebrandts seeks a freedom that each of the others threatens to complicate. Universally recognized as the leading novelist of his generation, Jonathan Franzen is often described as a teller of family stories. Only now, though, in Crossroads , has he given us a novel in which a family, in all the intricacy of its workings, is truly at the center. By turns comic and harrowing, a tour de force of interwoven perspectives and sustained suspense, Crossroads is the first volume of a trilogy, A Key to All Mythologies , that will span three generations and trace the inner life of our culture through the present day. Complete in itself, set in a historical moment of moral crisis, and reaching back to the early twentieth century, Crossroads serves as a foundation for a sweeping investigation of human mythologies, as the Hildebrandt family navigates the political, intellectual, and social crosscurrents of the past fifty years. Jonathan Franzen''s gift for wedding depth and vividness of character with breadth of social vision has never been more dazzlingly evident than in Crossroads .
A sharp and provocative new essay collection from the award-winning author of Freedom and The Corrections The essayist, Jonathan Franzen writes, is like 'a fire-fighter, whose job, while everyone else is fleeing the flames of shame, is to run straight into them.' For the past twenty-five years, even as his novels have earned him worldwide acclaim, Franzen has led a second life as a risk-taking essayist. Now, at a moment when technology has inflamed tribal hatreds and the planet is beset by unnatural calamities, he is back with a new collection of essays that recall us to more humane ways of being in the world. Franzen's great loves are literature and birds, and The End of the End of the Earth is a passionate argument for both. Where the new media tend to confirm one's prejudices, he writes, literature 'invites you to ask whether you might be somewhat wrong, maybe even entirely wrong, and to imagine why someone else might hate you.' Whatever his subject, Franzen's essays are always skeptical of received opinion, steeped in irony, and frank about his own failings. He's frank about birds, too (they kill 'everything imaginable'), but his reporting and reflections on them-on seabirds in New Zealand, warblers in East Africa, penguins in Antarctica-are both a moving celebration of their beauty and resilience and a call to action to save what we love. Calm, poignant, carefully argued, full of wit, The End of the End of the Earth provides a welcome breath of hope and reason.
A short novel set in Syria in the winter of 2015 as two brothers and a sister transport the body of their father through their war-torn country in order to bury him with his family.
In this work the author, a recipient of the Nobel Prize in Economic Sciences for his seminal work in psychology that challenged the rational model of judgment and decision making, has brought together his many years of research and thinking in one book. He explains the two systems that drive the way we think. System 1 is fast, intuitive, and emotional; System 2 is slower, more deliberative, and more logical. He exposes the extraordinary capabilities, and also the faults and biases, of fast thinking, and reveals the pervasive influence of intuitive impressions on our thoughts and behavior. He reveals where we can and cannot trust our intuitions and how we can tap into the benefits of slow thinking. He offers practical and enlightening insights into how choices are made in both our business and our personal lives, and how we can use different techniques to guard against the mental glitches that often get us into trouble. This author's work has transformed cognitive psychology and launched the new fields ofbehavioral economics and happiness studies. In this book, he takes us on a tour of the mind and explains the two systems that drive the way we think and the way we make choices.